The consequence often is for this work to not get it's proper assessment in the domain of art history. Ainehi Edoro will emphasise the alternative.
Edoro's partner of conversation this Wednesday is the Norwegian and South-African musician Nosizwe. She will first lead a blind-reading session, as a warm-up to Edoro's keynote. Here the participants will get an opportunity to encounter extracts of texts and to suggest its sources, ahead of the reference being made available. The session is open to a small group of 15 pre-registered participants.
After Edoro's keynote in the auditorium at Kunstnernes Hus at 12am she and Nosizwe will have a conversation and open up for questions.
Finally Edoro will lead a workshop in reading technique, on the basis of the topic she raises. Again, this session is open only for a pre-registered group of 15 people.
KUNSTNERNES HUS May 24th, 2017
10.00 "Blind reading" - session in Atelier Felix, for 15 pre-registered
12.00 Ainehi Edoro: How not to talk about African fiction, incl talk
14.00 Ainehi Edoro - workshop in reading technique in Atelier Felix, for 15 pre-registered
The event is free. Edoro's programme will be in English.
Registration: email@example.com - please specify what part of the programme one wishes to register for.
As the organiser of this event TrAP first became aware of Edoro by reading this article in the Guardian: https://www.theguardian.com/books/2016/apr/06/how-not-to-talk-about-african-fiction This additional article by Ben Okri speaks into the same topic https://www.theguardian.com/commentisfree/2014/dec/27/mental-tyranny-black-writers
The event takes place at Kunstnernes Hus organised by TrAP, with the publishing house Solum as partner of collaboration for the first part (blind reading session).
More about Edoro:
Ainehi Edoro is an Assistant Professor at Marquette University in Milwaukee where she teaches global Anglophone literatures. She holds a doctorate from Duke University. She is the founder and editor ofbrittlepaper.com—an African literary site. Brittle Paper is to be considered more a platform on its field of focus, rather than a pure forum for literature. As editor Edoro ties up to contributors whom in various ways opens up the discussion on the African within international literature. Edoro is born in Nigeria and lives in Chicago.